I want to write something
so simply
about love
or about pain
that even
as you are reading
you feel it
and as you read
you keep feeling it
and though it be my story
it will be common,
though it be singular
it will be known to you
so that by the end
you will think—
no, you will realize—
that it was all the while
yourself arranging the words,
that it was all the time
words that you yourself,
out of your heart
had been saying.
so simply
about love
or about pain
that even
as you are reading
you feel it
and as you read
you keep feeling it
and though it be my story
it will be common,
though it be singular
it will be known to you
so that by the end
you will think—
no, you will realize—
that it was all the while
yourself arranging the words,
that it was all the time
words that you yourself,
out of your heart
had been saying.
I think that Mary can check this off her list of accomplishments. She does write so simply that it feels as if I am with her as she walks with Percy along the shore or meanders through a meadow marveling at the flowers. Of course, in her very writing she distinguishes herself from all others. The words themselves, captured permanently in time say "I" and "you." It is up to the reader then to deconstruct what is written so we can hear "Thou" and "We" instead. After a year's rising with Mary I believe that my neural circuitry as rewired to do this translation work when I pick up a book of her poems, see the road kill, or write her to you in this blog. We are all love and pain, life and death, and it's all good.
What and how can you write simply about today?
When I first read this poem it really spoke to how I would like to write my music and how I would imagine it reaching the listener. It's the same every time I read it.
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