Reading and reflecting on Mary Oliver's poems, one poem each day for a year
Monday, January 26, 2015
Hurricane
Saturday, August 21, 2010
The Poet With His Face in His Hands
You want to cry aloud for your mistakes. But to tell the truth the world doesn't need any more of that sound.
So if you're going to do it and can't stop yourself, if your pretty mouth can't hold it in, at least go by yourself across
the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets
like crazy, and there is a cave behind all that jubilation and water-fun and you can stand there, under it, and roar all you
want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched
by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.
I am reminded by this poem of a goodly number of years which I spent with my face in hands, sobbing with regrets and loss. I tried to stifle the sound, for indeed, who wants to hear any more of that sound? I had seen such senseless tragedy in Guatemala when I lived there - forests burned, people murdered, children abandoned to disease and ignorance, parrot nests felled, and birds poached to approaching extinction. Some days it seemed that if I even heard the word Guatemala, conservation, or parrot my throat would get tight and I would be altered in a downward decline for the rest of the day. Part of what brought me out of that dark time was to go ahead and let the despair take me to where it would, however, I would remind myself that I was going through such pain because of the beautiful song of the people and the Yellow-naped Amazon parrots of Central America. It was that perfect, stone-hard beauty which allowed me to hold the tragic as well.
What helps you hold the tragic?
Thursday, March 4, 2010
University Hospital, Boston - March 4, 2010
The trees on the hospital lawn
are lush and thriving. They too
are getting the best of care,
like you, and the anonymous many....
...We sit on the lawn together, holding hands
while you tell me: you are better.
How many young men, I wonder
came here, wheeled on cots off the slow trains
from the read and hideous battlefields...
...and how many died
staring at the leaves of the trees...
...tell myself, you are better,
because my life without you would e
a place of parched and broken trees.
Later, walking the corridors down to the street,
I turn and step inside an empty room.
Yesterday someone was here with a gasping face.
Now the bed is made all new,
the machines have been rolled away. The silence
continues, deep and neutral,
as I stand there, loving you.
Poems Vultures and Ghosts in recent days linger in the battlefields of my mind that I pray surrenders to the unnatural divide between death and life. By embracing death, we can love ever the harder.
In my youth I knew not much of human love, or of death. Then I saw the movie, Gone With the Wind where Scarlet is overwhelmed in the Atlanta train stations where thousands of wounded and dying are laid around the tracks. There was my first glimpse of universal and massive human suffering. I saw it from the eyes of a southern raised, white privileged human, in fact, born in Atlanta. Some years later I saw the movie, Showboat, and the universal suffering extended out to those of African descent caught in the web of colonialist harm.
Always, always I connected to nonhuman suffering spending, most of my adult life in veterinary hospitals and field clinics. There, in hospitals, I find, human or non, we all are equal. In death we all are equal. In loving, we all are equal.
What do hospitals tell you of life and death? Of love?
Sunday, February 7, 2010
Sleeping in the Forest - February 7, 2010
I thought the earth
remembered me...
...I slept
as never before, a stone
on the riverbed,...
...All night
I rose and fell, as if in water, grappling
with a luminous doom. by morning
I had vanished at least a dozen times
into something better.
Having just watched portions of the WWII fantasy and violent film, Inglorious Basterds last night, I felt myself vanishing into something worse. This was a story of no redemption, of such a thorough interconnection to our angry and revengeful sides. It was as if the movie director and screen play writer imagined every deep and dark thing in their souls, and projected them onto the characters in the story. There was no escaping the reality of who we are.
If reality is interconnection, and if we are the world and in every breath we become the world with the intermix of water and air molecules exchanging in our lungs and then becoming cemented into our tissues, then we must also become worse and better with every breath.
We are the Nazi's, the nations going to war, and the singing forest creatures at night. Perhaps somehow after a night spent under the stars and moon, we can say "all things shining" because beauty is always with us. Where is the shining in the relentless doom that accompanies us? I am the mirror that reflects back all things shining, and I also hold up a broken mirror, shattered by despair. What does it mean to be human? Who are we? How are we to walk with beauty all around us, when our shadow sides stalk the a peaceful forest?
How do you deal with the violent, hurtful behavior of our kind?