Reading and reflecting on Mary Oliver's poems, one poem each day for a year
Friday, February 18, 2011
Broken, Unbroken
Saturday, February 12, 2011
Meeting Wolf
Tuesday, December 21, 2010
The Opossum - December 20, 2010
Thursday, October 7, 2010
Logan International
In the city called Wait,
also known as the airport,
you might think about your life --
there is not much else to do.
For one thing,
there is too much luggage,
and you're truly lugging it --
you and, it seems, everyone.
What is it, that you need so badly?
Think about this.
Earlier, in another city,
you're on the tarmac, a lost hour.
You're going to miss your connection, and you know it,
and you do.
You're headed for five hours of nothing.
And how long can you think about your own life?
What I did, to save myself,
was to look for children, the very young ones
who couldn't even know where they were going, or why.
Some of them were fussing, of course.
Many of them were beautifully Hispanic.
The storm was still busy outside, and snow falling
anywhere, any time, is a wonder.
But even more wonderful, and maybe the only thing
to put your own life in proportion,
were the babies, the little ones, hot and tired,
but still
gurgling, chuckling, as they looked --
wherever they were going, or not yet going,
in their weary parents' arms (no!
their lucky parents' arms) --
upon this broken world.
Mary asks what is it that we need so badly. I desire that children would not be looking upon a broken world. Yet, if the world is such a bad place how is that that gurgling, wondrous babies came into being? Airports are such places where we look at the baggage of our lives, open it up, and perhaps leave some of it behind. Or take home more to ponder at some later date.
A few years ago I was in a busy airport when I saw a bat flying at people level on the walkway between gates. People were ducking and darting. I set down my baggage, took of my jacket to use as a net, and set off to catch the bat. I was not having much success when one man took a swipe at the bat to harm it. I told him that I would catch the bat and let it go outside. I almost had the bat when the same man took off his shoe, threw it, and the bat fell to the floor. I just stared at the man. Why would he kill an innocent being when he knew that I would take care of her? I scooped up the bat, still alive, and went to the airline attendant at the gate and asked if she could let me outside so I could let the bat die in peace, or perhaps recover. She just started at me and asked, "What are you, a veterinarian?" She did let me out side and I placed the bat on the connector walkway on the tarmac.
Returning inside, many eyes were on me. I wanted to shout, "What are we, humans?" In that moment the world indeed seemed so very broken.
When have you experienced "brokenness" and what reminded you of wholeness?
Thursday, May 27, 2010
In Pobiddy, Georgia

Three women climb from the car
in which they have driven slowly
into the churchyard.
They come toward us, to see
what we are doing.
What we are doing
is reading the strange,
wonderful names
of the dead.
One of the women
speaks to us-
after we speak to her.
She walks with us and shows us,
with downward-thrust finger,
which of the dead where her people.
She tells us
about two brothers, and an argument,
and a gun-she points
to one of the slabs
on which there is a name,
some scripture, a handful of red
plastic flowers. We ask her
about the other brother.
"Chain gang," she says,
as you or I might say
"Des Moines," or "New Haven." And then,
"Look around all you want."
The younger woman stands back, in the stiff weeds,
like a banked fire.
The third one-
the oldest human being we have ever seen in our lives-
suddenly drops to the dirt
and begins to cry. Clearly
she is blind, and clearly
she can't rise, but they lift her, like a child,
and lead her away, across the graves, as though
as old as anything could ever be, she was, finally,
perfectly finished, perfectly heartbroken, perfectly wild.
This is the first poem that I have written in its entirety - for I know of no other way to tell the story that left me crying this morning. Mary, you surprised me. Me, a Georgia born gal who thought I had seen everything.
Are you as blind as I have been? The world invites us to look around all we want in the pull and push of Yes, No, and in the end we are here to be heartbroken. Nothing else but this, which is everything.
Friday, January 15, 2010
Alex - January 15, 2010
Where is Alex, keeper of horses?
Nobody knows.
...Well, maybe he's in the madhouse,
And maybe he's sleeping it off..
Dreaming of horses and leather.
And maybe, with luck, he's dead.
I know an Alex. We took him in one day shy of 18 years of age, an undocumented minor from Honduras with a history of domestic abuse from his father who forced him to work at 8 years of age, his mother having left him at 2. We knew him by another name, but he told all his friends he was Alex. He was such a wild beautiful heart and I imagine his dreams were of wonder and possibility. But in this world he was a breaker of hearts. We finally asked him to leave the house, too many broken promises amidst a background of substance abuse and run-ins with police and jail. I have not seen him in over a year, and I wonder where he is, sleeping on the streets, in jail, dead? I almost dread that he will come by again, for this brings chaos and pain into our home. And yes, love.
Yesterday I learned what I could of the horrific earthquake in Haiti. One picture showed a little girl, dead, half buried in rubble in the street, her head in her arms. It would be so much easier if the dead and broken were all the way buried so we wouldn't have to witness their lives.
Since reading these poems, Mary has shown the tension of beauty and death, grief and abundance. In this poem, where is beauty? In the brokenness? In death?
Who do you wish would go away from you so you wouldn't have to witness their brokenness or suffering? What is your response to the pain of the world?