Reading and reflecting on Mary Oliver's poems, one poem each day for a year
Sunday, June 9, 2013
Good-bye Fox
He was lying under a tree, licking up the shade,
Hello again, Fox, I said.
And hello to you too, said Fox, looking up and not bounding away.
You're not running away? I said.
Well, I've heard of your conversation about us. News travels even among foxes, as you might know or not know.
What conversation do you mean?
Some lady said to you, "The hunt is good for the fox." And you said, "Which fox?"
Yes, I remember. She was huffed.
So you're okay in my book.
Your book! That was in my book, that's the difference between us.
Yes, I agree. You fuss over life with your clever words, mulling and chewing on its meaning, while we just live it.
Oh!
Could anyone figure it out, to a finality? So why spend so much time trying. You fuss, we live. And he stood, slowly, for he was old now, and ambled away.
When we fuss, is that not living as well? Unless in fussing, I suppose, we block life's potential? But doesn't fussing guide us into knowing life? I think of the squirrel in the back yard with her chatter squeals at the red-tailed hawk, and the parent wren's insistent call to their 4 nestlings to leave the shelter of the porch nest, and their whining response.
Go away! Get out! Come here! Feed me! Do something! Are we ever saying much else to one another?
And what about a fox fussing at the hen house, trying to find a way in. I think he is writing in a book too -
Whiskers full of cobwebs, paw scratches in the sand, blood drops on boards and feathers exploding out into the air. That's quite a story Mr. Fox.
The hunt is good for the fox!
Monday, February 28, 2011
Just Around the House, Early in the Morning - February 27, 2011
Wednesday, February 2, 2011
I Want to Write Something So Simply
so simply
about love
or about pain
that even
as you are reading
you feel it
and as you read
you keep feeling it
and though it be my story
it will be common,
though it be singular
it will be known to you
so that by the end
you will think—
no, you will realize—
that it was all the while
yourself arranging the words,
that it was all the time
words that you yourself,
out of your heart
had been saying.
Wednesday, November 17, 2010
Both Worlds
Tuesday, August 24, 2010
The Book
Lilies – as tall as ourselves and more lovely,
And full of fragrance, and long orange tongues,
And those plaything the bees-stood in
A neighbor’s yard, a thick, ramping
Hedge of them. You could not help but see
That to be beautiful is also to be simple
And brief; is to rise up and be glorious, and then vanish;
Is to be silent but as though a song was in you only it
Hasn’t yet been heard
At least in a garden of real earth and sparrows and wrens,
And people hurrying by, pausing then hurrying on
To the usual daily foolishness that comes to so little
So far as the real things matter: eternity,
The unseen, the unrecognized, the filing of the heart
With goodness, as if it were a hive
In which nothing corrupt could live. And I thought
If any one of them could write
The story of their lives, who wouldn’t
Stand in line and hand over the last of their
Shining money-oh, the very end of their shining money-
To buy it.
In Mary’s poems I often wait for the phrase that clinches at the heart, both wringing it and opening it at the same time. Not all poems cause this reaction, but most do. Can you guess what phrase brought me the “kick” or the “surprise” that she can still do after nearly 8 months of writing about one of her poems a day? For me, today, I hung my doubts up when she wrote “real things matter…the filing of the heart with goodness, as if it were a hive.” When I read this I resonate and my deepest soul, which is also yours, says, “ah yes, there I see you my friend.” This is the story I long to her in others, and the story I ache to tell, and to live – to spend my days filling my heart with goodness, awareness, love, and yes, all the doubts too must fly in as well. They stretch my heart so that there is even more room for all.
How do you fill your heart with goodness?
Tuesday, August 17, 2010
Of What Surrounds Me
Need a leaf or a flower, if not an
Entire field. As for sky, I am wildly
In love with each day’s inventions, cool blue
Or cat gray or full
Of the ships of clouds, I simply can’t
Say whatever it is I am saying without
At least one skyful. That leaves water, a
Creek or a well, river or ocean, it has to be
There. For the heart to be there. For the pen
To be poised. For the idea to come.
Whatever it is I am doing I would like a feather to be there. If not a feather, then may I pray for the grace of birds to be nearby – in the yard, in the tree, or in sky, full of my wings’ love´? For where there are birds, there is also the heart. The trick is how to have the heart be present, without caging beauty, and hence ourselves. Otherwise we might end up saying, “I can’t be happy until I have this, or go see this.” Where would desire end, but in our own end?
This week I am visiting a veterinary clinic that only sees birds and exotic animals. The clinic is nestled into a strip mall arrangement, a bit plain I suppose like much of the Ohio suburbs. But then you open the door to the clinic and the rainbow of life dazzles your eyes. The doctors and the technicians smile and look you right in the eye, and the multiple birds in residence fly across the room to perch near brightly decorated walls. One rode my shoulder for the afternoon, my face touching, oh God, actually touching feathers once again. The world seems nearly as it should be in these rooms, for isn’t everything we need right there? Then the clients come in with their companion birds – sick, caged, behaviorally down shifted from their evolved possibility. I am not saying that there isn’t love or care or heart in the humans there, but do we as a species truly “need” these rooms full of cages and medicines for the idea of interconnection to come? I am poised for there to be another way, and in my longing may I remain alert for letting desire go so that life may come.
What do you desire or need, that if in letting it go, would lead to fuller lives for you or for others?
Tuesday, August 3, 2010
White Heron Rises Over Blackwater
If anything can be called that marvelous word.
It won’t be
My kind of work, which is only putting words on a page,
The pencil
Haltingly calling up
The light of the world,
Yet nothing appearing on paper half as bright
As the mockingbird’s verbal hilarity
In the still unleafed shrub in the churchyard-
Or the white heron rising over the swamp and the darkness,
His yellow eyes and broad wings wearing
The light of the world in the light of the world-
Ah yes, I see him.
He is exactly the poem I wanted to write.
Okay, I’m flat out disagreeing with Mary, although given the paradoxical nature of poems; she probably secretly led me into agreeing with her. I do believe that the poem on the paper is the light of the world as is the poet. The heron over the swamp is no more beautiful than the humans I saw in the hydrotherapy pool this morning. I’m at a resort/convention hotel in San Diego and after working out I limped over to the Jacuzzi to lessen the ache of my knee. In one corner of the Jacuzzi is a middle aged woman, her body bulging out of her suit. In another corner is an older man, he too rotund and big bandage covering a third of his face. I can go into judgment mind and ask what is right about we well-fed middle aged people relaxing in the middle of the day in an expensive hotel while billions upon billions of other beings are suffering? How is the work we putter with considered any kind of accomplishment amidst the beauty and tragedy that rises out of the ache of our hearts and the bodies of so many? I don’t rightly know how to answer this except to say that my inner knowing replies to the doubting mind that beauty is in all bodies and all words. And that means mine too.
What is it you hope to accomplish today, and is it enough?
Tuesday, July 27, 2010
Everything
I want to make poems that say right out, plainly,
what I mean, that don't go looking for the
laces of elaboration, puffed sleeves. I want to
keep close and use often words like
heavy, heart, joy, soon, and to cherish
the question mark and her bold sister
the dash. I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daises and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be
songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
You do Mary, you do.
Like you, I want.
I want to make a life that says out plainly what I mean. I want to keep close in my heart both beauty and tragedy. I want to question everything and try to answer nothing - coming to each relationship and every day with an open curiousity. I want my life to be a poem, never far from breathing in wonder and breathing out gratitude. I want a life of faith so that the light of the world is made more brilliant by my gladness. I want everything, and so, want nothing, so that I might be everything.
What do you want?
Monday, July 19, 2010
The Soul at Last
The Lord's terrifying kindness has come to me.
It was only a small silvery thing-say a piece of silver cloth, or a thousand spider webs woven together, or a small handful of aspen leaves, with their silver backs shimmering. And it came leaping out of the closed coffin; it flew into the air, it danced snappingly around the church rafters, it vanished through the ceiling.
I spoke there, briefly, of the loved one gone. I gazed at the people in the pews, some of them weeping. I knew I must someday, write this down.
The Lord has been terribly kind to me, and I mean the sacred has been terribly-laden with beauty, power, and freedom. On some days there is fear, but mostly there is a humbleness that I am nothing but the will of life and love. Perhaps nowhere else does this come as strong except in church preaching and praying, and even more so at memorial services. The first time I preached at a church I thought, "Ah, this is what it means to fly free with love", with no bounds or constraints on that pure essence that flows through me to the people, and through the people to me. The world's soul holds me and sets me free. I give thanks to Lord Death who has a way of graciously awakening us to communal love.
What does the soul look like to you, and have you seen it?

